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'Art as Experience' (1934) is John Dewey's major writing on aesthetics, originally delivered as the first William James Lecturer at Harvard (1932). Dewey's aesthetics have been found useful in a number of disciplines, including the new media. Dewey had previously written articles on aesthetics in the 1880s and had further addressed the matter in ''Democracy and Education'' (1915). In his major work, ''Experience and Nature'' (1925), he laid out the beginnings of a theory of aesthetic experience, and wrote two important essays for ''Philosophy and Civilization'' (1931).〔(Stanford Encyclopedia of Philosophy )〕 == Overview == Dewey's theory, here, is an attempt to shift the understandings of what is important and characteristic about the art process from its physical manifestations in the ‘expressive object’ to the process in its entirety, a process whose fundamental element is no longer the material ‘work of art’ but rather the development of an ‘experience’. An experience is something that personally affects your life. That is why these theories are so important to our social and educational life. Such a change in emphasis does not imply, though, that the individual art object has lost significance; far from it, its primacy is clarified: the object is recognized as the primary site for the dialectical processes of experience, as the unifying occasion for these experiences. Through the expressive object, the artist and the active observer encounter each other, their material and mental environments, and their culture at large. The description of the actual act of experiencing is drawn heavily from the biological/psychological theories Dewey expounded in his development of functional psychology. In Dewey's article on reflex arc psychology, he writes that sensory data and worldly stimulus enter into the individual via the channels of afferent sense organs, and that the perception of these stimuli are a 'summation': The biological sensory exchange between man, whom Dewey calls 'the Live Creature' in ''Art as Experience'', and the environment, is the basis of his aesthetic theory: This is a dramatic expansion of the bounds of aesthetic philosophy, for it demonstrates the connections of art with everyday experience and in doing so reminds us of the highest responsibilities that art and society and the individual have always owed to each other: To emphasize what is aesthetic about an experience is not, finally, to emphasize what is apolitical or impractical or otherwise marginal about that experience; rather, it is to emphasize in what ways that experience, as aesthetic, is a 'manifestation, a record and celebration of the life of a civilization, a means for promoting its development' and, insofar as that aesthetic experience relates to the kinds of experiences had in general, it is also the 'ultimate judgment upon the quality of a civilization.'〔Art as Experience p. 326〕 See his ''Experience and Nature'' for an extended discussion of 'Experience' in Dewey's philosophy. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Art as Experience」の詳細全文を読む スポンサード リンク
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